Happy Hawaiian music introduces the film as a shocking phrase prepares us for reality; "My friends on the mainland think just because I live in Hawaii, I live in paradise. Like a permanent vacation... Are they insane?"
The very same music now stops being as happy as we thought; it becomes a nostalgic smile.
Trying to figure out The Descendants' story purpose is anything but easy. At first, a family crisis seems to lead the storyline; we could even be tempted to summarize the movie as it follows:
Matt has not always been the best husband; his work and business life have sometimes taken him out of his family, but with his wife's health compromised, Matt has to embrace his mistakes as husband and learn to be the father he has never been.
As the movie develops and we get to know that Elizabeth was cheating on Matt, we could resume the film in:
Matt and Elizabeths' marriage is facing its worst crisis. In a relationship where both have hurt each other, the day of reckoning shows in the most unwanted way: Elizabeth has had a deadly accident, leaving Matt alone to face his guilt, forgive her, and lead his family, whom he has always been distant from.
This summary may seem to be more accurate, but as the story evolves, multiple parallel storylines enrich a solid united argument that converges within the end: the movie is about letting go, about accepting our responsibilities and doing our wrongs rights. The Descendants is about taking the narrow path to happiness.
Matt faces the most major crisis he will ever face; not only does he have to forgive his wife but he has to forgive himself and carry on. He learns about family; his most important decision? Deciding to keep his entrusted family land for the greater good of Hawaii, for the greater good of his People. He learns to love and finally, he learns to hope; therefore to live.
This is a really good movie. Totally recommend it.
Teacher's note: This author really knows how to analyze a complex movie structure and to communicate these ideas clearly. I believe this writer could become a professional film critic (should he choose) on the level of Roger Ebert (
http://www.rogerebert.com). Many consider the late Ebert to be the finest film critic of recent time.
I'd like to add that the unspoken summation of the above thought piece, what The Descendants is mostly about, is "blame reconciliation." Everything this author addresses describes how this goal must be accomplished. Most importantly, he points out how Matt and others must take responsibility and forgive all at the same time. Only then can Matt and the others "let go."
The greatest tragedy in this film, besides Elizabeth's fate, is how Brian Speer does not reconcile his blame. Thus, he cannot let go. What's worse, his wife, Julie, is the one who visits Elizabeth in his place. How sad this makes Speer's character. He has no hope of reconciliation.
The kicker is what to do with that last parcel of virgin Hawaiian land. Maybe this provides a way for Matt to feel better about everything. I can imagine a sequel to The Descendants, kind of like the sequel to Wall Street. There is unfinished business here. Thank you author for an insightful post.
--mike
http://www.moviesgrowenglish.com